Fiction as History: The Novel and the City in Modern North India. “Connecting with Tagore’s Life and Work.” India International Centre Quaterly, vol. Denis and India’s Dance Renaissance.” Dance Chronicle, vol. “Intercultural Synthesis, Radical Humanism and Rabindranritya: Re-evaluation of Tagore’s Dance Legacy.” South Asia Research, vol. Seagull Books, 2008.Ĭhakravorty, Pallabi. Kathak Dance, Women and Modernity in India. “The Ballet Corporalities of Anna Pavlova and Albertina Rasch.” Dance Chronicle vol. A Social Critique of the Judgement of Taste. Vanderbilt University, 2004.īourdieu, Pierre. Music Scenes: Local, Translocal and Virtual. Niyogi Books, 2011.īennet, Andy and Richard E. Cambridge UP, 2020.īanerjee, Utpal Kumar. “Institutions of Chage: Kathak Dance from Courts to Classrooms.” The Chitrolekha Journal of Arts and Design, vol. University of Minnesota Press, 1996.īhagchandani, Suman. Modernity at Large: Cultural Dimensions of Globalization. “Rewriting the Script for South Indian Dance.” The Drama Review, vol. “Uday Shankar: The Early Years, 1900-1938.” Dance Chronicle, vol. This transnational scene eventually coalesced into several separate schools, including what today is known as classical and modern Indian dance styles.Ībrahams, Ruth. Indian dance and spirituality, as well as famous Indian dancers, were an integral part of what at the time was known as the international modern dance scene. Denis and Ted Shawn, Uday Shankar, Leila Roy Sokhey and Rumini Devi Arundale contributed to this translocal dance scene. In this essay, I look at how Rabindranath Tagore, Isadora Duncan, Anna Pavlova, Ruth St. Drawing on shared philosophical ideas-such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner-and from movement techniques, such as ballet codes, the Delsarte method, and, later on, Eurythmics (in fashion at the time), these lead dancers created new dance formats, choreographies, and styles, from which many of today’s classical, folk, and ballet schools emerged. They adapted ballet to the variety-show formats and its audiences. These dancers-and the companies they created-transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |